There have been many discussions about polyphony on the Roland Fantom (and related Zen-Core hardware). I think Voice Assign Mode is the most important knob to minimize polyphony issues for typical playing with hold pedal, and interestlingly, it also seems to be the least discussed.
Let's make an example. The following scene is an initialized scene with a clip in the first zone. I have turned off the reverb to make it easier to hear everything: Let's configure the first 3 zones with:
- Zone 1: SN-AP:EXSN03:0001:Classic Piano with level 120.
- Zone 2: Z-Core:PR-E:0387:RD-1000 with level 60.
- Zone 3: Z-Core:PR-B:0162:Soft Pad 1 with level 40.
Now let's change Voice Assign Mode to SINGLE for the first 3 zones, and this time it sounds as follows: There are still a few notes that are audibly cut off. However, I think it is good enough, so that most audience members would not notice it during a live performance.
Let's go one step further: As mentioned previously (https://forums.rolandclan.com/viewtopic ... 66&t=69417), the tones Z-Core:PR-E:0387:RD-1000 and Z-Core:PR-B:0162:Soft Pad 1 are wasting polyphony, because they both use 2 hard-panned mono partials instead of 1 stereo partial. After making the optimization, it sounds as follows: Now I have about 50% more polyphony than I need for this clip, or put differently, I could add another 2 layers without any notes audibly cutting off.
The Voice Assign Mode also exists on other Zen-Core hardware products (MC-101, MC-707, MV-1, AX-Edge, Juno-X, Jupiter-X, Jupiter-Xm), and if you use them in a similar way (i.e. repeatedly triggering the same keys during a hold pedal phrase), then consider setting Voice Assign Mode to SINGLE on those products.
See also https://forums.rolandclan.com/viewtopic ... 66&t=69412 for more information on Voice Assign Mode.